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"Fictional narratives supply us with a mental catalog of the fatal conundrums we might face someday and the outcomes of strategies we could deploy in them – Not only do we crave story, but we have very specific hardwired expectations for every story we read, even though — and here’s the kicker — chances are next to nil that the average reader could tell you what those expectations are." - Lisa Cron
David Kelly reminds us that creativity is not the exclusive domain of an elite, chosen few, but a way of being INSIDE an experience. Telling stories from his legendary design career, Kelly offers ways of building the necessary confidence to create and go on creating yourself & your work.
"If you have a leap of faith that is underpowered where you're questioning it as you leap, you don't get to the other side. You can't leap without complete and absolute willingness to die for your want."
~ Bruce Joel Rubin
The most relevant and enduring questions in the evolution and evaluation of screen-stories-that-matter are WHERE'S THE DRAMA? and WHY DO I CARE? Yet the creation of fresh, surprising and compelling screen narratives - with some notable exceptions - is uncommon. Why is this? And what can be done about it?
Industry and non-industry film and program makers, film audiences, students, reviewers and critics are invited to join Billy Marshall Stoneking and Stoneking Seminars in this unique, online investigation into the nature and character of dramatic, screen storytelling.
Discover and explore the world of the character-driven story, as channeled by the storyteller working as a medium. Share your opinions and ideas, your insights and 'imaginary solutions'. Spread the word!
Enter the Drama by selecting a topic from the MENU at the top of this page - or by using the search function provided BELOW to find exactly what you're looking for.
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"To be human is to be a story-telling animal. It is in our DNA to make up stories about what we want, and why we want it, or need it and can't live without it, and what or who is frustrating our best efforts to have it and why. And this becomes our story, our script, complete with a supporting cast of characters that make their entrances and exits. Through stories we strive, vicariously, to possess, use, fix and control all that we desire, anxious about the risks but unable to stop the wanting. Wanting to live and live more fully without ever suspecting that it is the wanting that kills us. We enact our story in response to a primordial incompleteness, searching for something to fill the emptiness, when all along we ARE the emptiness, longing to be destroyed by whatever it is that can fill it."
- Billy Marshall Stoneking
THE MEANS IS FILM
THE MEDIUM IS
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